Alfonso Ossorio, Untitled, ca. 1952
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Alfonso Angel Yangco Ossorio (August 2, 1916 – December 5, 1990) A Filipino-American abstract expressionist artist who was born in Manila in 1916 to wealthy Filipino parents from the province of Negros Occidental. His lineage was Hispanic, Filipino, and Chinese. Between the ages of eight and thirteen, he attended school in England. At age fourteen, he moved to the United States. Ossorio attended Portsmouth Priory (now Portsmouth Abbey School) in Rhode Island, graduating in 1934.
From 1934 to 1938, he studied fine art at Harvard University and then continued his studies at the Rhode Island School of Design. He became an American citizen in 1933 and served as a medical illustrator in the United States Army during World War II.
Source :
Art Cyclopedia. N.D, www.artcyclopedia.com/artists/ossorio_alfonso.htm
Dallow, Jessica and Colleen Thomas, From the Molecular to the Galactic, The Art of Max Ernst and Alfonso Ossorio, Chapel Hill, North Carolina, Ackland Art Museum, the University of North Carolina at Chapel Hill, 2000. Friedman, Bernard Harper, Alfonso Ossorio, New York, H. N. Abrams, 1972.
Annotation: Alfonso Ossorio biographical Information added as a supplement
by: Noel Jordan Racca
From 1934 to 1938, he studied fine art at Harvard University and then continued his studies at the Rhode Island School of Design. He became an American citizen in 1933 and served as a medical illustrator in the United States Army during World War II.
Source :
Art Cyclopedia. N.D, www.artcyclopedia.com/artists/ossorio_alfonso.htm
Dallow, Jessica and Colleen Thomas, From the Molecular to the Galactic, The Art of Max Ernst and Alfonso Ossorio, Chapel Hill, North Carolina, Ackland Art Museum, the University of North Carolina at Chapel Hill, 2000. Friedman, Bernard Harper, Alfonso Ossorio, New York, H. N. Abrams, 1972.
Annotation: Alfonso Ossorio biographical Information added as a supplement
by: Noel Jordan Racca
Subject
Paintings, Works on Paper
Date
1952
Contributor
Courtesy of Rhode Island School of Design Museum, Providence RI
Rights
The images on this website can enable discovery and collaboration and support new scholarship, and we encourage their use. This object is in Copyright. This object is Untitled with the accession number of 2007.115.2.
To request high-resolution files or new photography, please send an email to [email protected] and include your name and the object's accession number.
The Copyrighted Image was requested and provided via Jpeg pdf email. Courtesy of RISD Museum, Providence RI. Email receipt, date: 02,18,2022
To request high-resolution files or new photography, please send an email to [email protected] and include your name and the object's accession number.
The Copyrighted Image was requested and provided via Jpeg pdf email. Courtesy of RISD Museum, Providence RI. Email receipt, date: 02,18,2022
Type
Paintings. Drawings
Identifier
2007.115.2
Materials
MATERIALS : watercolor, wax, ink
SUPPORTS : paper
TECHNIQUES : Painting, Drawing
(Pen and Ink)
SUPPORTS : paper
TECHNIQUES : Painting, Drawing
(Pen and Ink)
Physical Dimensions
96.2 x 50.2 cm (37 7/8 x 19 11/16 inches)
Provenance
Gift of the Alfonso Ossorio Foundation https://web.archive.org/web/20101205030715/http://www.ossoriofoundation.org/home.htm
Acquisition Date
2007
Display status
Not on display
References
Art Cyclopedia. N.D. www.artcyclopedia.com/artists/ossorio_alfonso.htm
Dallow, Jessica and Colleen Thomas, From the Molecular to the Galactic, The Art of Max Ernst and Alfonso Ossorio, Chapel Hill, North Carolina, Ackland Art Museum, the University of North Carolina at Chapel Hill, 2000. Friedman, Bernard Harper, Alfonso Ossorio, New York, H. N. Abrams, 1972.
Dallow, Jessica and Colleen Thomas, From the Molecular to the Galactic, The Art of Max Ernst and Alfonso Ossorio, Chapel Hill, North Carolina, Ackland Art Museum, the University of North Carolina at Chapel Hill, 2000. Friedman, Bernard Harper, Alfonso Ossorio, New York, H. N. Abrams, 1972.
Acknowledgements
Contributed by Noel Jordan Racca
Photo and InformationCourtesy of Rhode Island School of Design Museum, Providence RI
Photo and InformationCourtesy of Rhode Island School of Design Museum, Providence RI
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Accessed on RISD Museum, February 18, 2022
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Alfonso Angel Yangco Ossorio (August 2, 1916 – December 5, 1990) A Filipino-American abstract expressionist artist who was born in Manila in 1916 to wealthy Filipino parents from the province of Negros Occidental. His lineage was Hispanic, Filipino, and Chinese. Between the ages of eight and thirteen, he attended school in England. At age fourteen, he moved to the United States. Ossorio attended Portsmouth Priory (now Portsmouth Abbey School) in Rhode Island, graduating in 1934. From 1934 to 1938, he studied fine art at Harvard University and then continued his studies at the Rhode Island School of Design. He became an American citizen in 1933 and served as a medical illustrator in the United States Army during World War II. Source : Art Cyclopedia. N.D, www.artcyclopedia.com/artists/ossorio_alfonso.htm Dallow, Jessica and Colleen Thomas, From the Molecular to the Galactic, The Art of Max Ernst and Alfonso Ossorio, Chapel Hill, North Carolina, Ackland Art Museum, the University of North Carolina at Chapel Hill, 2000. Friedman, Bernard Harper, Alfonso Ossorio, New York, H. N. Abrams, 1972.Annotation: Alfonso Ossorio biographical Information added as a supplementby: Noel Jordan Racca, “Alfonso Ossorio, Untitled, ca. 1952,” Mapping Philippine Material Culture, accessed October 10, 2024, https://philippinestudies.uk/mapping/items/show/15452.
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Mapping Philippine Material Culture collates digital material from institutions, and some of this material is inherently colonial and contains words, terms and phrases that are inaccurate, derogatory and harmful towards Filipino and Filipino diasporic communities. Catalogue transcriptions, book titles, exhibition titles and museum titles may contain harmful terms. We recognise the potential for the material to cause physical and mental distress as well as evoke strong emotions. Owing to the scale of the collection’s data, a process to implement sensitive-content warnings in the displayed data is still incomplete. The material within the catalogue does not represent Mapping Philippine Material Culture’s views. Mapping Philippine Material Culture maintains a strong anti-colonial, anti-racist position and affirms its support for centring the humanity of historically marginalised and disenfranchised communities.
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