"Pattens are protective overshoes that were worn in Europe from the Middle Ages until the early 20th century. It is worn outdoors over a normal shoe, had a wooden or later wood and metal sole, and were held in place by leather or cloth bands.
Pattens purpose is to elevate the foot above the mud and dirt (including human effluent and animal dung) of the street, in a period when road and urban paving was minimal". The word could also be used as a term for a wooden soled shoe, that is a chopine or clog, as opposed to an overshoe, until at least the nineteenth century. The word was also used for the traditional wooden outdoor shoes of Japan and other Asian countries.
"Bakyâ or wooden clogs were once the most commonly used footwear in the Philippines before the introduction of rubber sandals. This footwear is made from local light wood like santol and laniti".(Torre,2002. p.24)
Source : Arnold, Janet: Queen Elizabeth's Wardrobe Unlock'd, W S Maney and Son Ltd, Leeds 1988. Ashelford, Jane. The Visual History of Costume: The Sixteenth Century. 1983 edition, 1994 reprint.
Torre, Visitacion R. De La (2002). Cultural icons of the Philippines. Tower Book House. p. 24. Retrieved 12 December 2019, 14, February 2022
Identifier 55.128.10, Women's Shoes ca.1900
Annotation: "Patten and Bakya"(Wooden clogs) terminology added as a supplemental information by: Noel Jordan Racca
Courtesy of Rhode Island School of Design Museum, Providence RI
Rights
The images on this website can enable discovery and collaboration and support new scholarship, and we encourage their use. This object is in Copyright. This object is Patten with the accession number of 72.104.
To request high-resolution files or new photography, please send an email to [email protected] and include your name and the object's accession number.
The Copyrighted Image was requested and provided via Jpeg pdf email. Courtesy of RISD Museum, Providence RI. Email receipt, date: 02,12,2022
Type
Footwear, Personal gear, Fashion, Costume Accessories
Identifier
72.104
Origin
Philippines
Materials
MATERIALS : Wood, leather
TECHNIQUES : No information was given
Physical Dimensions
No Information was given, unspecified
Provenance
Gift of Mrs. Charles P. Gilson
Acquisition Date
No Information was given,
Related Object Name
Title : Women's Shoes ca.1900
Display status
No Information was given
References
Arnold, Janet: Queen Elizabeth's Wardrobe Unlock'd, W S Maney and Son Ltd, Leeds 1988.
Ashelford, Jane. The Visual History of Costume: The Sixteenth Century. 1983 edition, 1994 reprint.
Boucher, François: 20,000 Years of Fashion, Harry Abrams, 1966.
Kohler, Carl: A History of Costume, Dover Publications reprint, 1963
Laver, James: The Concise History of Costume and Fashion, Abrams, 1979
Payne, Blanche: History of Costume from the Ancient Egyptians to the Twentieth Century, Harper & Row, 1965.
Grew, F & De Neergaard, M: Shoes and Pattens', Museum of London, The Boydell Press, Woodbridge 2001.
Goubitz, O. et al. Stepping Through Time: Archaeological Footwear from Prehistoric Times Until 1800, Stichting Promotie Archeologie 2001. Reprinted 2007 in Paperback
Torre, Visitacion R. De La (2002). Cultural icons of the Philippines. Tower Book House. p. 24. Retrieved 12 December 2019, 14, February 2022
Acknowledgements
Contributed by Noel Jordan Racca Photo and Information Courtesy of Rhode Island School of Design Museum, Providence RI
Sensitive Content Mapping Philippine Material Culture collates digital material from institutions, and some of this material is inherently colonial and contains words, terms and phrases that are inaccurate, derogatory and harmful towards Filipino and Filipino diasporic communities. Catalogue transcriptions, book titles, exhibition titles and museum titles may contain harmful terms. We recognise the potential for the material to cause physical and mental distress as well as evoke strong emotions. Owing to the scale of the collection’s data, a process to implement sensitive-content warnings in the displayed data is still incomplete. The material within the catalogue does not represent Mapping Philippine Material Culture’s views. Mapping Philippine Material Culture maintains a strong anti-colonial, anti-racist position and affirms its support for centring the humanity of historically marginalised and disenfranchised communities.
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