Beggar
Text
NIL
Share this
Media
Images
Map National Gallery Singapore
Metadata
Creator
Romeo V. Tabuena (1921–2015)
Date
1956
Rights
Image courtesy of National Heritage Board, Singapore.
Copyright disclaimer: The copyright of the artworks belongs to the artists or their authorised representatives and may not be reproduced for any purpose whatsoever without the prior written permission of National Gallery Singapore and/or the copyright owners. Please submit your request to National Gallery Singapore via https://collections.nationalgallery.sg/#/termCondition if you’d like to request permission to reproduce the images.
Copyright disclaimer: The copyright of the artworks belongs to the artists or their authorised representatives and may not be reproduced for any purpose whatsoever without the prior written permission of National Gallery Singapore and/or the copyright owners. Please submit your request to National Gallery Singapore via https://collections.nationalgallery.sg/#/termCondition if you’d like to request permission to reproduce the images.
Identifier
1999-00342
Origin
Philippines
Materials
Tempera on board
Physical Dimensions
71.3 x 111.8 cm
Acknowledgements
National Gallery Staff Malyanah Manap, Clarissa Chikiamco, Wong Jia Min and Mohamad Shahfeeq for content editing, copyright permissions and technical support.
Collection
Cite this Page
Romeo V. Tabuena (1921–2015), “Beggar,” Mapping Philippine Material Culture, accessed September 11, 2024, https://philippinestudies.uk/mapping/items/show/29125.
Geolocation
Related Items
Sensitive Content
Mapping Philippine Material Culture collates digital material from institutions, and some of this material is inherently colonial and contains words, terms and phrases that are inaccurate, derogatory and harmful towards Filipino and Filipino diasporic communities. Catalogue transcriptions, book titles, exhibition titles and museum titles may contain harmful terms. We recognise the potential for the material to cause physical and mental distress as well as evoke strong emotions. Owing to the scale of the collection’s data, a process to implement sensitive-content warnings in the displayed data is still incomplete. The material within the catalogue does not represent Mapping Philippine Material Culture’s views. Mapping Philippine Material Culture maintains a strong anti-colonial, anti-racist position and affirms its support for centring the humanity of historically marginalised and disenfranchised communities.