Photographic Print

View of the roofs of thatched shelters going up a terraced hillside. Medium: Gelatin silver print. 1936 (23rd December) Inscription:Inscription type: annotation Inscription quoted: Album title: "LONDON - NAIROBI SAN FRANCISCO - LUZON HONGKONG - SHANGHAI 1935 - 37 MARY S. R. SINCLAIR" [embossed gilt on album cover]. Front end pages: "O 1 - 22 CE 1 - 32 C 1 - 29" [manuscript note]. Original description: "Bontoc village. Luzon. 23-XII-36." [manuscript note on print border].
Curators comments:
Cataloguer's comment: Album contains 85 photographs. Main themes of album: Travel by aeroplane from England to northeast and east Africa, from San Francisco to islands in the North Pacific Ocean, the Philippines, Hong Kong and China. Showing aeroplanes, views from aeroplanes and of aerodromes, indigenous people and settlements in the Philippines, settlements in and boats off Hong Kong and China. Albums Af,A8 to Af,A27 and Af,A29 to Af,A33 belong to the same series. Circumstances: [SIN-] PIC DOC 08.
Album bound in full leather. Good condition.
Department: Africa, Oceania and the Americas

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Map British Museum

Creator

Photographed by: Mary S R Sinclair

Date

1936 (23rd December)

Identifier

Af,A28.51

Origin

, Made in: Bontoc

Materials

, Gelatin silver printing

Physical Dimensions

Length: 12 centimetres; Width: 18.30 centimetres

Display status

Not on display

Official Website

https://www.britishmuseum.org/collection/object/E_Af-A28-51

Collection

British Museum

Cite this Page

Photographed by: Mary S R Sinclair, “Photographic Print,” Mapping Philippine Material Culture, accessed April 28, 2024, https://philippinestudies.uk/mapping/items/show/28668.

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Mapping Philippine Material Culture collates digital material from institutions, and some of this material is inherently colonial and contains words, terms and phrases that are inaccurate, derogatory and harmful towards Filipino and Filipino diasporic communities. Catalogue transcriptions, book titles, exhibition titles and museum titles may contain harmful terms. We recognise the potential for the material to cause physical and mental distress as well as evoke strong emotions. Owing to the scale of the collection’s data, a process to implement sensitive-content warnings in the displayed data is still incomplete. The material within the catalogue does not represent Mapping Philippine Material Culture’s views. Mapping Philippine Material Culture maintains a strong anti-colonial, anti-racist position and affirms its support for centring the humanity of historically marginalised and disenfranchised communities.