Violin and Bow
Text
Name: Dioray:- Primitive violin made from 1/2 coconut shell covered with banana bark. bamboo neck. Hemp string. Bow of bamboo with hemp string.; Full Description: Dayuday: This spike fiddle has only one string, which is made of abaca hemp. Its body is made of coconut shell while its bow is made of bamboo strip. The dayuday is played for reflection or for expression of delight. [p. 90-91] Fieldwork number: 679; Other names: dioray; Field Museum Catalogue Number: 128357
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Map The Field Museum of Natural History
Metadata
Identifier
FIELD-1029883
Origin
Cultural affiliation: Bukidnon
Materials
Hemp
Provenance
[1060] Second R.F. Cummings Ethnological Expedition to Philippine Islands - ethnology - Mangyan (Expedition) Accession number: 1115; Collected by Dr. Fay-Cooper Cole
Acquisition Date
1910
Display status
Not on display
References
[Book] Bicar, Beverly B., et al. Looking Forward by Looking Back: The Bukidnon - A Century Hence.
Acknowledgements
Courtesy of: A. Sadcopen, Digital Co-curation Team. (c) Field Museum of Natural History. CC BY-NC 4.0. https://mm.fieldmuseum.org/e34bf54e-4942-4426-ade9-c647f995b0dd (accessed on 28 Sep 2021); (c) Field Museum of Natural History. CC BY-NC 4.0. https://mm.fieldmuseum.org/6df48b41-c1f4-4217-981e-c2326c84d8ca (accessed on 02 Jul 2021); Courtesy of: S. Carlson. (c) Field Museum of Natural History. CC BY-NC 4.0. https://mm.fieldmuseum.org/94166ac1-970e-46b2-a133-f00664c1e2d7 (accessed on 21 Sep 2021)
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“Violin and Bow,” Mapping Philippine Material Culture, accessed May 8, 2024, https://philippinestudies.uk/mapping/items/show/18772.
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Mapping Philippine Material Culture collates digital material from institutions, and some of this material is inherently colonial and contains words, terms and phrases that are inaccurate, derogatory and harmful towards Filipino and Filipino diasporic communities. Catalogue transcriptions, book titles, exhibition titles and museum titles may contain harmful terms. We recognise the potential for the material to cause physical and mental distress as well as evoke strong emotions. Owing to the scale of the collection’s data, a process to implement sensitive-content warnings in the displayed data is still incomplete. The material within the catalogue does not represent Mapping Philippine Material Culture’s views. Mapping Philippine Material Culture maintains a strong anti-colonial, anti-racist position and affirms its support for centring the humanity of historically marginalised and disenfranchised communities.