Wooden spoon, handle carved in human effigy: hands resting on flexed knees, hair

Spoon, carved wood, human figure handle, perforated ears, hands on knees. Wooden spoon, handle carved in human effigy: hands resting on flexed knees, hair worn in a double-knotted cone; ears pierced but no earings. L: 17 cm. Wooden spoon, handle carved in human effigy: hands resting on flexed knees, hair worn in a double-knotted cone; ears pierced but no earings. L: 17 cm.

Share this

  

Images

Map    Peabody Museum of Archaeology and Ethnology, Harvard

Rights

For rights and reproductions requests, see https://www.peabody.harvard.edu/about/rightspermissions; Image © President and Fellows of Harvard College, Peabody Museum of Archaeology and Ethnology,08-36-70/4853

Identifier

08-36-70/4853

Origin

Oceania, Philippines, Ifugao, Luzon

Materials

Wood

Physical Dimensions

Overall: 16.8 x 4.8 x 5 cm (6 5/8 x 1 7/8 x 1 15/16 in.)

Display status

Not on display

Official Website

https://collections.peabody.harvard.edu/objects/85211

Collection

Peabody Museum of Archaeology and Ethnology, Harvard

Cite this Page

“Wooden spoon, handle carved in human effigy: hands resting on flexed knees, hair,” Mapping Philippine Material Culture, accessed October 5, 2024, https://philippinestudies.uk/mapping/items/show/12026.

Tags

Geolocation

Related Items

Wooden spoon, handle carved in human effigy: hands resting on flexed knees, hairWooden spoon, handle carved in human effigy: hands resting on flexed knees, hairWooden spoon, handle carved in human effigy: hands resting on flexed knees, hairWooden spoon, handle carved in human effigy: hands resting on flexed knees, hair


Sensitive Content
Mapping Philippine Material Culture collates digital material from institutions, and some of this material is inherently colonial and contains words, terms and phrases that are inaccurate, derogatory and harmful towards Filipino and Filipino diasporic communities. Catalogue transcriptions, book titles, exhibition titles and museum titles may contain harmful terms. We recognise the potential for the material to cause physical and mental distress as well as evoke strong emotions. Owing to the scale of the collection’s data, a process to implement sensitive-content warnings in the displayed data is still incomplete. The material within the catalogue does not represent Mapping Philippine Material Culture’s views. Mapping Philippine Material Culture maintains a strong anti-colonial, anti-racist position and affirms its support for centring the humanity of historically marginalised and disenfranchised communities.